{"version":"1.0","provider_name":"Duo Imbesi  Zangar\u00e0","provider_url":"https:\/\/duoimbesizangara.com\/it","author_name":"admin","author_url":"https:\/\/duoimbesizangara.com\/it\/author\/admin\/","title":"Repertoire - Duo Imbesi Zangar\u00e0","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"keF9KTgHrX\"><a href=\"https:\/\/duoimbesizangara.com\/it\/repertoire\/\">Repertorio<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/duoimbesizangara.com\/it\/repertoire\/embed\/#?secret=keF9KTgHrX\" width=\"600\" height=\"338\" title=\"&#8220;Repertoire&#8221; &#8212; Duo Imbesi  Zangar\u00e0\" data-secret=\"keF9KTgHrX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/duoimbesizangara.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/duoimbesizangara.com\/wp-content\/uploads\/2026\/09\/1-Makari-Ph.-Nicola-Vaiana-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1706,"description":"Repertoire Carmelo and Carmen explore a diverse repertoire across four distinct performance formats: chamber music ( Duo and Orchestral project ), crossover,\u00a0 theatre and Carmen with live bands. Programs are regularly updated, with the current repertoire presented in the EPK section. Tab 5 chamber music CROSSOVER Theatre CARMEN ZANGAR\u00c0 &amp; THE BLUE MOOD CHAMBER DUO &#8211; w\/ ORCHESTRA &#8211; w\/ CHOIR Francesco da Milano ( 1497 &#8211; 1543 ) Canone for two lutes arr. Carmelo Imbesi and Carmen Zangar\u00e0 Spagna for two lutes arr. Carmelo Imbesi and Carmen Zangar\u00e0 Ricercare I for two lutes arr. Johannes Matelart Ricercare II for two lutes arr. Johannes Matelart Ricercare III for two lutes arr. Johannes Matelart Ricercare IV for two lutes arr. Johannes Matelart Ricercare V for two lutes arr. Johannes Matelart Ricercare VI for two lutes arr. Johannes Matelart Fantasia VII for two lutes arr. Carmelo Imbesi and Carmen Zangar\u00e0 Fantasia per due liuti from Castelfranco Veneto Manuscript arr. Alberto Mesirca Vincenzo Galilei ( 1520 &#8211; 1591 ) Duo Tutti di Fantasia from Fronimo c. 1569 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Contrapunto Primo B.M. from Fronimo c. 1569 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Contrapunto Secondo B.M. from Fronimo c. 1569 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Ricercare I, II, III from Fronimo c. 1584 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Contrapunto I, II, III, IV, V from Contrapunti a due Voci c. 1584 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Choral from Discorso Particolare Intorno all&#8217; Unisono c. 1590 arr. Carmelo Imbesi and Carmen Zangar\u00e0 John Dowland ( 1563 &#8211; 1626 ) Lachrimae antiquae arr. Carmelo Imbesi and Carmen Zangar\u00e0 Lachrimae antiquae novae arr. Carmelo Imbesi and Carmen Zangar\u00e0 Lachrimae gementes arr. Carmelo Imbesi and Carmen Zangar\u00e0 Lachrimae tristes arr. Carmelo Imbesi and Carmen Zangar\u00e0 Lachrimae coactae arr. Carmelo Imbesi and Carmen Zangar\u00e0 Lachrimae amantis arr. Carmelo Imbesi and Carmen Zangar\u00e0 Lachrimae verae arr. Carmelo Imbesi and Carmen Zangar\u00e0 Semper Dowland Semper dolens arr. Carmelo Imbesi and Carmen Zangar\u00e0 Sir Henry Umpton\u2019s funeral arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. John Langton\u2019s pavanl arr. Carmelo Imbesi and Carmen Zangar\u00e0 The king of Denmark\u2019s galliard arr. Carmelo Imbesi and Carmen Zangar\u00e0 The earl of Essex galliard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Sir John Souch his galliard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. Henry Noel his galliard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. Giles Hobies his galiard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. Nicholas Gryffith his galiard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. Thomas Collier his galiard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Captaine Piper his galiard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. Bucton his galiard arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mrs Nichols almand arr. Carmelo Imbesi and Carmen Zangar\u00e0 Mr. George Whitehead his almand arr. Carmelo Imbesi and Carmen Zangar\u00e0 A lesson for two lutes arr. Carmelo Imbesi and Carmen Zangar\u00e0 My lord Chamberlain his galliard arr. Carmelo Imbesi and Carmen Zangar\u00e0 My lord Willoughby&#8217;s welcome home arr. Carmelo Imbesi and Carmen Zangar\u00e0 Go nightly cares for two guitars and voice arr. Carmelo Imbesi and Carmen Zangar\u00e0 From silent night for two guitars and voice arr. Carmelo Imbesi and Carmen Zangar\u00e0 If my complaints could passions move arr. Carmelo Imbesi and Carmen Zangar\u00e0 Alessandro Scarlatti ( 1660 &#8211; 1725 ) Sonata n\u00b0 1 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Antonio Vivaldi ( 1678 &#8211; 1741 ) Concert in D RV93 Allegro &#8211; Largo &#8211; Allegro\u00a0 \u00a0w\/ Orchestra Concert in D RV93 Allegro \u2013 Largo \u2013 Allegro two guitar arrangement arr. Carmelo Imbesi and Carmen Zangar\u00e0 Concert in G Major RV 532 Allegro \u2013 Andante \u2013 Allegro w\/ Orchestra Johann Sebastian Bach ( 1685 &#8211; 1750 ) Invenzioni a due voci\u00a0 BWV 772 &#8211; 786 n\u00b0 1 to 15 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Preludes and Fugues selection arr. Ida Presti and Alexandre Lagoya French Suite N\u00b03 BWV 814 (Allemande \u2013 Courante \u2013 Sarabande \u2013 Anglaise \u2013 Menuet \u2013 Trio \u2013 Gigue) arr. John Duarte, Carmelo Imbesi, Carmen Zangar\u00e0 Sylvius Leopold Weiss ( 1687 &#8211; 1750 ) Concert in C Major MS 24-37 ( Adagio, Allegro, Adagio e Gigue ) for two lutes from the Count of Harrach manuscript arr. Carmelo Imbesi and Carmen Zangar\u00e0 Duet in G Major MS 453 from Moscow Weiss Manuscript arr. Carmelo Imbesi and Carmen Zangar\u00e0 Giacomo Merchi ( 1730 &#8211; 1789 ) Quattro Duetti Op.3 n\u00b0 I \u2013 II \u2013 III \u2013 IV Dodici Divertimenti Op.21 n\u00b0 I \u2013 II \u2013 III \u2013 IV \u2013 V \u2013 VI \u2013 VII \u2013 VIII \u2013 IX \u2013 X \u2013 XI \u2013 XII Francesco Molino ( 1768 &#8211; 1847 ) Grande pot-pourri sui temi di Rossini Op. 47 Federico Moretti ( 1769 &#8211; 1839 ) Grand duo concertant pour deux Lyres ou deux Guitares Fernando Sor ( 1778 &#8211; 1839 ) L&#8217;Encouragement, Op. 34 Fantasia\u00a0 Op. 54 bis Mauro Giuliani ( 1781 &#8211; 1829 ) Variazioni concertanti Op. 130 Tre polonesi concertanti Op.137 Le avventure di amore Op. 116 Luigi Moretti ( 1780 &#8211; 1850 ) Fantasia sulla Clemenza di Tito Niccol\u00f2 Paganini ( 1782 &#8211; 1840 ) Sonata Concertata M.S. 1 arr. Ida Presti and Alexandre Lagoya Rond\u00f2 dal Concerto n\u00b0 1 O.p.6 arr. Carmelo Imbesi and Carmen Zangar\u00e0 Dionisio Aguado ( 1784 &#8211; 1849 ) Corale arr. Agust\u00edn Barrios Mangor\u00e9 Estudio arr. Agust\u00edn Barrios Mangor\u00e9 Lecion 5 de nuevo metodo para guitarra arr. Emilio Pujol Gioacchino Rossini ( 1792 &#8211; 1868 ) L&#8217; Elisabetta Overture dal Barbiere di Siviglia arr. Mauro Giuliani Matteo Carcassi ( 1792 &#8211; 1853 ) Waltz I Waltz II Waltz III Galop I Galop II Polonaise Theme and Variations Napoleon Coste ( 1805 &#8211; 1883 ) Gran duo concertante ( Concertino, Andante, Barcarole, Finale ) Duetto Etude da Concierto arr. Agust\u00edn Barrios Mangor\u00e9 Johann Kaspar Mertz ( 1806 &#8211; 1856 ) Fantaisie \u00fcber Motive aus der Oper Alessandro Stradella, Op. 29 Einsiedlers Waldgl\u00f6cklein two guitars version Tarantelle (2nd Version &#8211; no Terz guitar) Barcarole Mazurka Von Chopin Mazurka Deutsche Weise (da 3 Morceaux, Op. 38, &hellip; Leggi tutto \"\""}