1.0Duo Imbesi Zangaràhttps://duoimbesizangara.com/itadminhttps://duoimbesizangara.com/it/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="4YqjL99B5r"><a href="https://duoimbesizangara.com/it/repertoire/">Repertorio</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://duoimbesizangara.com/it/repertoire/embed/#?secret=4YqjL99B5r" width="600" height="338" title="“Repertoire” — Duo Imbesi Zangarà" data-secret="4YqjL99B5r" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://duoimbesizangara.com/wp-includes/js/wp-embed.min.js </script>https://duoimbesizangara.com/wp-content/uploads/2026/09/1-Makari-Ph.-Nicola-Vaiana-scaled.jpg25601706Repertoire Carmelo and Carmen explore a diverse repertoire across four distinct performance formats: chamber music ( Duo and Orchestral project ), crossover,  theatre and Carmen with live bands. Programs are regularly updated, with the current repertoire presented in the EPK section. Tab 5 chamber music CROSSOVER Theatre CARMEN ZANGARÀ & THE BLUE MOOD CHAMBER DUO – w/ ORCHESTRA – w/ CHOIR Francesco da Milano ( 1497 – 1543 ) Canone for two lutes arr. Carmelo Imbesi and Carmen Zangarà Spagna for two lutes arr. Carmelo Imbesi and Carmen Zangarà Ricercare I for two lutes arr. Johannes Matelart Ricercare II for two lutes arr. Johannes Matelart Ricercare III for two lutes arr. Johannes Matelart Ricercare IV for two lutes arr. Johannes Matelart Ricercare V for two lutes arr. Johannes Matelart Ricercare VI for two lutes arr. Johannes Matelart Fantasia VII for two lutes arr. Carmelo Imbesi and Carmen Zangarà Fantasia per due liuti from Castelfranco Veneto Manuscript arr. Alberto Mesirca Vincenzo Galilei ( 1520 – 1591 ) Duo Tutti di Fantasia from Fronimo c. 1569 arr. Carmelo Imbesi and Carmen Zangarà Contrapunto Primo B.M. from Fronimo c. 1569 arr. Carmelo Imbesi and Carmen Zangarà Contrapunto Secondo B.M. from Fronimo c. 1569 arr. Carmelo Imbesi and Carmen Zangarà Ricercare I, II, III from Fronimo c. 1584 arr. Carmelo Imbesi and Carmen Zangarà Contrapunto I, II, III, IV, V from Contrapunti a due Voci c. 1584 arr. Carmelo Imbesi and Carmen Zangarà Choral from Discorso Particolare Intorno all’ Unisono c. 1590 arr. Carmelo Imbesi and Carmen Zangarà John Dowland ( 1563 – 1626 ) Lachrimae antiquae arr. Carmelo Imbesi and Carmen Zangarà Lachrimae antiquae novae arr. Carmelo Imbesi and Carmen Zangarà Lachrimae gementes arr. Carmelo Imbesi and Carmen Zangarà Lachrimae tristes arr. Carmelo Imbesi and Carmen Zangarà Lachrimae coactae arr. Carmelo Imbesi and Carmen Zangarà Lachrimae amantis arr. Carmelo Imbesi and Carmen Zangarà Lachrimae verae arr. Carmelo Imbesi and Carmen Zangarà Semper Dowland Semper dolens arr. Carmelo Imbesi and Carmen Zangarà Sir Henry Umpton’s funeral arr. Carmelo Imbesi and Carmen Zangarà Mr. John Langton’s pavanl arr. Carmelo Imbesi and Carmen Zangarà The king of Denmark’s galliard arr. Carmelo Imbesi and Carmen Zangarà The earl of Essex galliard arr. Carmelo Imbesi and Carmen Zangarà Sir John Souch his galliard arr. Carmelo Imbesi and Carmen Zangarà Mr. Henry Noel his galliard arr. Carmelo Imbesi and Carmen Zangarà Mr. Giles Hobies his galiard arr. Carmelo Imbesi and Carmen Zangarà Mr. Nicholas Gryffith his galiard arr. Carmelo Imbesi and Carmen Zangarà Mr. Thomas Collier his galiard arr. Carmelo Imbesi and Carmen Zangarà Captaine Piper his galiard arr. Carmelo Imbesi and Carmen Zangarà Mr. Bucton his galiard arr. Carmelo Imbesi and Carmen Zangarà Mrs Nichols almand arr. Carmelo Imbesi and Carmen Zangarà Mr. George Whitehead his almand arr. Carmelo Imbesi and Carmen Zangarà A lesson for two lutes arr. Carmelo Imbesi and Carmen Zangarà My lord Chamberlain his galliard arr. Carmelo Imbesi and Carmen Zangarà My lord Willoughby’s welcome home arr. Carmelo Imbesi and Carmen Zangarà Go nightly cares for two guitars and voice arr. Carmelo Imbesi and Carmen Zangarà From silent night for two guitars and voice arr. Carmelo Imbesi and Carmen Zangarà If my complaints could passions move arr. Carmelo Imbesi and Carmen Zangarà Alessandro Scarlatti ( 1660 – 1725 ) Sonata n° 1 arr. Carmelo Imbesi and Carmen Zangarà Antonio Vivaldi ( 1678 – 1741 ) Concert in D RV93 Allegro – Largo – Allegro   w/ Orchestra Concert in D RV93 Allegro – Largo – Allegro two guitar arrangement arr. Carmelo Imbesi and Carmen Zangarà Concert in G Major RV 532 Allegro – Andante – Allegro w/ Orchestra Johann Sebastian Bach ( 1685 – 1750 ) Invenzioni a due voci  BWV 772 – 786 n° 1 to 15 arr. Carmelo Imbesi and Carmen Zangarà Preludes and Fugues selection arr. Ida Presti and Alexandre Lagoya French Suite N°3 BWV 814 (Allemande – Courante – Sarabande – Anglaise – Menuet – Trio – Gigue) arr. John Duarte, Carmelo Imbesi, Carmen Zangarà Sylvius Leopold Weiss ( 1687 – 1750 ) Concert in C Major MS 24-37 ( Adagio, Allegro, Adagio e Gigue ) for two lutes from the Count of Harrach manuscript arr. Carmelo Imbesi and Carmen Zangarà Duet in G Major MS 453 from Moscow Weiss Manuscript arr. Carmelo Imbesi and Carmen Zangarà Giacomo Merchi ( 1730 – 1789 ) Quattro Duetti Op.3 n° I – II – III – IV Dodici Divertimenti Op.21 n° I – II – III – IV – V – VI – VII – VIII – IX – X – XI – XII Francesco Molino ( 1768 – 1847 ) Grande pot-pourri sui temi di Rossini Op. 47 Federico Moretti ( 1769 – 1839 ) Grand duo concertant pour deux Lyres ou deux Guitares Fernando Sor ( 1778 – 1839 ) L’Encouragement, Op. 34 Fantasia  Op. 54 bis Mauro Giuliani ( 1781 – 1829 ) Variazioni concertanti Op. 130 Tre polonesi concertanti Op.137 Le avventure di amore Op. 116 Luigi Moretti ( 1780 – 1850 ) Fantasia sulla Clemenza di Tito Niccolò Paganini ( 1782 – 1840 ) Sonata Concertata M.S. 1 arr. Ida Presti and Alexandre Lagoya Rondò dal Concerto n° 1 O.p.6 arr. Carmelo Imbesi and Carmen Zangarà Dionisio Aguado ( 1784 – 1849 ) Corale arr. Agustín Barrios Mangoré Estudio arr. Agustín Barrios Mangoré Lecion 5 de nuevo metodo para guitarra arr. Emilio Pujol Gioacchino Rossini ( 1792 – 1868 ) L’ Elisabetta Overture dal Barbiere di Siviglia arr. Mauro Giuliani Matteo Carcassi ( 1792 – 1853 ) Waltz I Waltz II Waltz III Galop I Galop II Polonaise Theme and Variations Napoleon Coste ( 1805 – 1883 ) Gran duo concertante ( Concertino, Andante, Barcarole, Finale ) Duetto Etude da Concierto arr. Agustín Barrios Mangoré Johann Kaspar Mertz ( 1806 – 1856 ) Fantaisie über Motive aus der Oper Alessandro Stradella, Op. 29 Einsiedlers Waldglöcklein two guitars version Tarantelle (2nd Version – no Terz guitar) Barcarole Mazurka Von Chopin Mazurka Deutsche Weise (da 3 Morceaux, Op. 38, … Leggi tutto ""